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Atlantis
It
would not be a long stretch of the imagination to consider Eden to be
the long lost Atlantis. As to what has been attributed to Atlantis
could be a combination of legends of the first and second garden.
The
ancient history of the 100 and of Adam and Eve was carried out to the
world by the migrating Andites and the stories and oral traditions of
these events found their way into the traditions of the cultures of
distant lands. But it makes sense that the Garden of Eden would be the
genesis of the Atlantis legend. This is the source of the revolution
that changed the world. It was Eden that was the touchstone of the
Neolithic. No where on the planet was there anything comparable to its
depth of culture, technologies and biogenetics. As the techniques of
agriculture spread out from the fertile crescent legends followed in
its wake. One of those legends was of a paradise so advanced it seemed
from the future and in a great cataclysm disappeared beneath the sea.
And so the legend of Atlantis was born. The migration was of a people
that carried this legend within their blood. Their ancestors had lived
the ancient story.
There
are several lists of Alantian features out on the Internet. Those items
that support the Eden-as-Atlantis would include: irrigation canals,
tropical climate, large population, volcanism, sunken continent,
superior technology, metals, plain which contained the capitol city was
long and rectangular, mountains came down to the sea enclosing the
plain, both the island and its southern plain were elongated, north of
the equator, the plain was in a valley, the island’s rivers
originated on the highlands, the island provided almost all the
requirements for human life, precious stones, and some of the
island’s highest peaks may still be above water.
For current information
on this subject please visit: www.discoveryofatlantis.com and download Cortona VRML software to view the 3D models at the
web site.
The
location of the first garden does not fit with Plato's description. But
there is an ancient city that has been linked to the mythologies of
Atlantis. That city is Tartessos in southern Spain. It was destroyed by
a tsunami at the height of it's power.
"Aerial photos show the existence of large circular and rectangular forms that could not have been produced by nature.
The images, together with literary accounts by ancient Greek
geographers have given weight to the theory that a great Tartessian
city once existed within the park.
The Tartessian
civilization, which developed in southern Spain between the 11th and
7th centuries BC and became rich trading gold and silver from local
mines, has long been linked by mythologists to the Atlantis legend.
While the Spanish
researchers refuse to speculate on whether they are on the brink of
discovering Atlantis others believe their research could be a
breakthrough in a centuries old quest.
"Evidence is mounting that
suggests the story of Atlantis was not mere fiction, fable or myth, but
a true story as Plato always maintained," said Georgeos Diaz-Montexano,
a Cuban archeologist who has spent the last 15 years searching for the
submerged city.
"Atlantis is not exactly where the CSIC is looking, but it is close," he claimed.
The theory is just the
latest in a long list of suggested locations for Atlantis, including
various Mediterranean islands, the Azores, the Sahara desert, Central
America and Antarctica.
(http://www.telegraph.co.uk/news/worldnews/europe/spain/7019522/Lost-city-of-Atlantis-could-be-buried-in-southern-Spain.html
- 19 Jan 2010)
"It
does not also seem chance that only in Iberia are found remains of an
ancient circular concentric city that was alternating circular pits of
water with rings of ground on those that they were building and that
were connected by means of bridges, as well as complex canalizations
that were serving to bring the waters of the mountains; quite almost
exactly equal to as it describes Plato in the Critias. Circular cities
or with protection pit around someone of them are known in other places
of Europe, but none as that of Jaén – with these so
complex hydraulic characteristics , and so similar to the principal
city of the Atlantis – not so ancient as the concentric circular
city of Jaén.
Ceramics
with concentric circles will be able to be in many places of the
Mediterranean, belonging to other peoples as Greeks, Phoenicians and
Etruscans, but ceramics with symbols of “Concentric Rings and
Channel”, as the scheme of Atlantis, only they appear in Iberia
as the investigative Hisppanic – Cuban demonstrates, at least up
to the date."
(http://www.atlantisarchives.org/tag/concentric-rings")
The
"Concentric Rings and Channel" may be found on Iberian ceramics but
this design is ancient. Neolithic petroglyphs from Scotland, England
and elsewhere display what is termed ring cups. These predate the
Iberian design by thousands of years. No one really knows what these
designs mean but they appear in northern Europe, India, Mesoamerica and
the United States. The ring cup to the left is from Scotland and is a
drawing of a cup and ring design carved in rock. The number of rings
varies in these pertoglyphs and this design sometimes has and sometimes
not the so called channel. Some of the channels are really channels
that are carved deeper than the rings themselves. Also there are
varieties of the cup and ring design which add to the mystery of its
meaning. The Tartessian symbol may be the symbol of Atlantis or it could
be one of those ancient symbols whose real meaning is lost to us. But
the location on the Atlantic seaboard and past the Pillars of Hercules
- as stated by Plato - should give us a pause for thought.
(Image from: http://www.perceptions.couk.com/westward.html)
"What
is the significance of the motif? Of course, no one can say for sure.
Many in Britain are near copper and gold workings. Other are associated
with burials and astronomical alignments. Some European archeologists
think they represent the sun or sun god. For the anomalist, the
cups-and-rings hint at an ancient worldwide culture that left its
signature on rocks just about everywhere. "
(http://www.science-frontiers.com/sf062/sf062a01.htm)
"Now
over one thousand of the ’cup and ring’ carvings can be
admired on a new website, which carries 6,000 images and is said to be
the most comprehensive of its kind in the world. The site, which goes
live today [Jan 14, 2005],
includes the 250 panels unearthed during a two-and-a-half year trawl of
some of England’s remotest countryside, in the expansive
moorlands of Northumberland.
Experts, however, are still grappling with the origins and meaning of
these abstract carvings, believed to be the work of Neolithic and Early
Bronze Age people between 6000 and 3500 years ago, although there are
several theories."
(http://www.innovations-report.com/html/reports/earth_sciences/report-38890.html)
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The "Third Eden" of the
Kopet Dagh
As alluded
to on the Tree of Life page, this "Third Eden" was the location where
Adamson and Ratta settled and raised their family. Adamson was the son
of Adam and Eve and Ratta a pure line Nodite. It was their offspring
that merged with the later appearing Mesopotamian Andites that extended
the Andite culture to the east, north and south.
The
Kopet Dagh area has a quite interesting history. Some connections to
this
edenic area would be the legend of the two lovers, the legend of the
Teutonic Norse Gods, the Goddess Idunna with her golden apples of
immortality, the origin of the secondary midwayers (some who would
align themselves with Lucifer and become known as evil spirits) and the
birthplace of Zoroaster to the east. Then we have the origin of the
Andonic race, the Sangik races and the Neanderthals from an area
extending from the highlands of India to north and east of the Kopet
Dagh and migrating out basically north and west. The Lut desert is
located to the south. The
name Lut appears to take on the significance of this area's history as
Lut was one of the council of ten who chose rebellion.
Below is a map showing
part of the region with an overlay of ancient trade routes from about
3000 BC.
Although the routes traverse both north and south
of the Kopet Dagh mountains the top route goes through Ashkhabad an
ancient city on the silk road. There is an interesting legend of two
lovers. If we remember that Adamson was Adamic and Ratta was Nodite it
makes us wonder about how this legend came to be.
"But in
Turkmen folklore the name of the city is linked with the meaning
«a city of love». According to a legend, when Nisa
was under the rule of Nuramed, and Annau was under the rule of
Pirakhmed, Allah put a veto on love. But against the interdiction, the
daughter and the son of these governors fell in love. Realizing the
threat to their safety, they hid themselves in a desert, until at last,
parched with thirst, they came to a mountain range, found a lonely
spring, and ran to slake their thirst, only to find it had run dry. The
lovers went further, where they met a mountain river, but no sooner had
they fallen to drink than it evaporated. The young man then dug to
reach underground springs, which made Allah angry again, and He sent
Azrail, the angel—divider, to them. However, God's envoy
failed to carry out the sentence: having looked at the girl, he fell in
love and forgot his mission. And then a spring of the same crystalline
purity as love itself gushed out of the ground. They decided to stay
here, near the won- derful spring which saved their lives; and after
hearing their history other people moved here, too.
As
regards the meaning of the root «ashkg» there are
also
several possibilities. It links both with Astarta (Ashghoret, Ishghar)
— goddess of fertility and love in ancient eastern mythology,
and
with the Parphian King Arshak I, whose name is mentioned as Ashk I in
the Armenian original sources, while the dynasty, founded by him is
called «ashkanids». Finally, there is an absolutely
fantastic version, according to which Ashkhabad is located on the site
of Asgarda, celestial settlement of the gods — as featured in
the
Scandinavian myths «Inglingsaga» and
«Junior
Edda» by Snorri Sturlusson."
(http://siyakhat.narod.ru/ashgabat.html)

The
distance between the
second garden and the settlement in the
Kopet Dagh region is about 800 miles which is approximately
the distance between Minneapolis MN and Lexington KY.
The
Gods of Asgard
"The Old
Norse reckoned that there were three races of Gods: the Aesir,
the Vanir, and the Jotnar. The Aesir are those beings most often
referred to in the ancient literature simply as "the Gods," in fact the
word "As" means "God." They are the Gods of human society, representing
things such as leadership, craft, justice, etc. The Vanir are more
closely connected to the earth and represent the fecundity of the land
and sea, and the natural forces which help mankind. Once there was a
great war between the Aesir and the Vanir, but this was eventually
settled when it was determined that neither side could win, and Frey,
Freya, and Njord came to live with the Aesir to seal the peace. The
Jotnar are a third race of Gods and at constant war with the Aesir, but
there is not and never will be peace in this battle. The Jotnar are
never called Gods, but rather referred to as giants. They represent the
natural forces of chaos and destruction as the Aesir represent forces
of order and society. Just as fire and ice mix to form the world, this
creative interaction of chaos and order maintains the balance of the
world. In the end the two sides will meet in the great battle of
Ragnarok and the world will be destroyed, only to be reborn.
The Norse
notion of the Gods was very much involved with tribalism. The
Aesir are the Gods of the tribe or clan. The Vanir are those Gods who
are allied with the clan, but who are not part of it. The Jotnar or
Giants are the "outlanders" or more simply everyone else.
The Norse
Gods were not held to be all powerful or immortal. Their
youth was maintained very precariously by the magickal apples of the
Goddess Idunna [Inanna?]. More importantly at the end of the world a
good number of the Gods will die in battle. The Northern view of the
world was a practical one with little assurance for the future and
little perfection and the Gods are no exception.
It is very
important to understand that the Gods are real and living
beings. They are not mere personifications of natural forces, nor are
they Jungian archetypes that dwell only in our minds--although Jung's
work may be helpful in understanding their nature as living beings.
Those divinities who we call "Gods" (i.e., the Aesir and Vanir) are
also "personal deities" who take an active interest in the affairs of
mankind, and seek relationships with their followers. This is important
to remember when we perform ceremonies or pray to the Gods. They aren't
magical symbols to be manipulated, nor is our religion some type of
giant cosmic vending machine where sacrifices are inserted and
blessings come out. The Gods are living beings and offer us benefits
because we are their friends and companions. They should always be
treated with respect."
(http://www.webcom.com/~lstead/RBGods.html)
"Odins
Migration"
"The other
ship type probably represents a "skin boat" with a rather
short and bulky hull and an interior framework of wood, appearing on
the petroglyphs as if viewed from outside. Such a boat is mentioned in
early Norwegian sagas written down by the Icelander, Snorre Sturlason,
before his death in 1241, (Snorri, The Sagas of the Viking Kings of
Norway. English translation: J. M. Stenersens Forlag, Oslo 1987).
According to the saga, the Viking kings descended from Odin, an
immigrant hierarch who came in a vessel called Skithblathnir
(Skidbladner) which could be folded together like a cloth. Odin came
from the land of the "Aser", and is, therefore, frequently referred to
as "Asa-Odin". The legendary land of the people known as Aser is given
a very exact location in Snorre's saga as east of the Caucasus
mountains and the Black Sea.
From there,
according to the same saga, Odin, owner of the foldable
boat migrated with all his people northwestwardly through Russia,
Saxland, and Denmark into Sweden where he died and lay buried in a huge
funerary mound at Sigtuna. Asa-Odin's saga with his boat and his
itinerary has been considered by Nordic historians as a myth concocted
in medieval times, although they consider the Nordic people as
Caucasians. But, perhaps, Odin's boat may indicate that the land of the
Aser really lay by the Caspian Sea east of the Caucasus."
http://www.azeri.org/Azeri/az_latin/latin_articles/latin_text/latin_31/eng_31/31_thorazerconn.html)
It seem
odd for a Scandinavian legend to extend to the Kopet Dagh area but it
seems to have come through the shamanistic traditions of Siberia,
Finland and Lappland. But this is more than just a legend for there is
terrestrial proof of Asgard and Odin. A quick note about giants: in the
Celtic legends the giants seem to have moved up through Germany to
Scandinavia and then by sea to Ireland and the British Isles. The
Celtic legend just about mirrors the "Odins migration" as seen above.
"The
location of Nisa, the spiritual centre of the
Parthian Kingdom, was identified not long ago. It
occupied
two heights not far from the present-day settlement Bagir near
Ashkhabad, Turkmenistan's capital.
One of the
two heights was taken by a imperial fortress of the Arsacids
which protected palaces as well as the auxiliary buildings, temples,
wine depositories and the guard's quarters. This place is now called
the Old Nisa. There are grounds to believe that this was the residence,
or one of the residences, of the Parthian rulers. A few structures of
the site have been studied and the approximate appearance of one of
them has been recaptured.
The most
interesting seems to be the so-called Square House in the Old
Nisa. Figuratively speaking, it is the key to Asgard. This Square House
had twelve chambers of the similar type, with treasures and pieces of
art. What was the function of these chambers? Was that a treasury?
Undoubtedly, but not only. It was the treasury of Asgard! Each room was
devoted to one of the twelve Ases. When the gifts to Ases from various
lands filled this treasury, the doorways of the chambers were immured
one after another and sealed by priests. With time all the rooms of the
treasury house were filled with the offerings that had supposedly come
from the numerous allied tribes and even from the far-away Thracia.
After that the second row of the treasuries was built. When they were
filled, the treasury house was expanded again; the courtyard surrounded
by storerooms was girded with a pillared portico.
Is there
any direct evidence that the Square House belonged to Ases,
and, above all, to the supreme deity? Yes, there is. One of the rooms
contained ivory rhytons measuring 30 - 60 cm. in height. They date back
to the 2d century BC, i.e. the age of Odin. The upper part of the
rhytons is decorated with the embossed friezes. Some experts believe
that these friezes portray Olympian gods of the ancient Greeks. This
cannot be the case. One can talk about the Greek influence, about
exquisite workmanship seen on a particular rhyton, but, obviously, this
is not a depiction of Greek gods. It is not difficult to recognise
Odin, Thor, other gods and goddesses doing same things that Ases did in
the sagas. The treasury with the rhytons belonged to Odin, the supreme
god. After all, it was said in the Prose Edda that he needed not
victuals but wine. Near this treasury in the Old Nisa there also used
to be a big wine storeroom. Odin himself took part in ritual
festivities, which befitted his role of a deified ancestor."
(http://www.swedish-russian.com/sample2.html)
On
another web site I found this on the ancient city of Merv which is not
far to the east of Ashkhabad:
"In
Hindu, Farsi, and Arab tradition, Merv is regarded as the ancient
Paradise, the cradle of the Aryan families."
(http://www.drummingnet.com/alekseev/ChapterVIII.html)
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